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Experimental Theater in Quito

12 years ago
Translated using BING translator. Original in Spanish follws:

MACARIO
(Theatrical version of the eponymous story of Juan Rulfo)

SINOPSIS (SPANISH)
Next to the sewer and armed with a table, Macario, the village idiot, expected to kill frogs that night stole the dream of her godmother. Caused by sleep or insatiable hunger, Macario tries to remember, without success, an important fact that, according to her godmother, he committed. This is the reason that the people of the village apedree.
Macario speaks of his life marked by statements and threats of the fanaticism of her godmother and a hostile environment that scares him and causes a deep fear of death, to hell. All this lives it, says it, dreams it, and shares it. Macario finally returns to the initial in an unconscious defiance point at the time, the misunderstanding and death.


"An actor who taught us that the body and the voice are more than sufficient to illuminate the scene without having to resort to great effect or to the bombast." An acting lesson, I imagine, will give think the theatre. "And the public was delighted."
Pedro Jara FESTIVAL "Theatre (Chile) rain"

"Its staging remembers the sober beckettian bet of no-espacio, non-place, showing the human ghost as well as the green meadows of happiness, the most terrible of the such;" "the light and the artist first one to another hiding: really amazing."
Leon saw first Act (Spain)

"Lo de Cacho Gallegos is something separate." Tenderness, pain, loneliness... his monologue is the best that has been released this year. He had, in their role in the full theatre festival. "He received the longest applause of the entire sample."
Daily trade (Ecuador)

"What stands out above all is the impeccable performance." "There is a successful management of voice to represent the characters... / management body, expression, voice, Macario are that character that has successfully built before our eyes and has been able to install the rulfiana atmosphere on the stage, let us experience this nocturnal sopor sadness of death and silences that speak."
Genevieve Mora daily today (Ecuador)


FROM 19 TO 29 JULY
FROM THURSDAY TO SATURDAY 20 H 00
SUNDAY 6: 30 PM

HOUSE "MALAYERBA"
(Square of "El Belén", diagonal a La Alameda churo)

INFORMATION AND RESERVATIONS:
2235463 / 098157642 / [email protected]

Entry general $8
Students $6
3A. age and disabled $4

THURSDAY 2 X 1



THEATRE IN THE ROUND
Independent group set up in 2002 under the name of "Around the world" project in 80 months. For seven years he developed its theatre and pedagogy of travelling form the five continents before settling in Ecuador. Theatre in the round has been invited to more than 40 national and international theatre festivals gaining awards and recognitions. He has collaborated with other companies in direction, direction, dramaturgy, staging and lighting assistance. He has also participated in shorts and features.
It has developed it its work in: Ecuador, Cuba, Peru, Bolivia, Chile, Argentina, Uruguay, Brazil, France, Morocco, Senegal, Spain, Colombia, Cambodia, Australia, Costa Rica, Switzerland and Italy.






SPANISH
--
MALAYERBA THEATRE HOME
December 6 (next to the Church of the Nativity) and 345 Sodiro
Tel.: 2235-463
E-mail: [email protected]
Twitter: casamalayerba
Quito - Ecuador


MACARIO
(Versión teatral del cuento homónimo de Juan Rulfo)

SINOPSIS
Junto a la alcantarilla y armado con una tabla, Macario, el loco del pueblo, espera matar las ranas que la noche anterior robaron el sueño de su madrina. Provocado por el sueño o por el hambre insaciable, Macario intenta recordar, sin lograrlo, un hecho importante que, según su madrina, él cometió. Esta es la razón para que la gente del pueblo lo apedree.
Macario habla de su vida marcada por las sentencias y amenazas del fanatismo de su madrina y de un entorno hostil que le espanta y provoca un profundo miedo a la muerte, al infierno. Todo esto lo vive, lo comenta, lo sueña y lo comparte. Finalmente Macario vuelve al punto inicial como en un inconsciente desafío al tiempo, a la incomprensión y a la muerte.


"Un actor que nos enseñó que el cuerpo y la voz son más que suficientes como para iluminar la escena sin tener que recurrir a grandes efectos ni a la grandilocuencia. Una lección actoral que, me imagino, dará que pensar a los teatristas. Y el público quedó encantado."
Pedro Jara FESTIVAL "LLUVIA DE TEATRO (Chile)

"Su puesta en escena recuerda la sobria apuesta beckettiana del no-espacio, no-lugar, donde aparecen los fantasmas humanos así como los verdes prados de la felicidad, la más terrible de las dichas; la luz y el artista disimulándose uno a otro, escondiéndose: realmente sorprendente."
León Sierra PRIMER ACTO (España)

"Lo de Cacho Gallegos es cosa aparte. La ternura, el dolor, la soledad... su monólogo es de lo mejor que se ha estrenado este año. Tuvo, en su función en el festival, teatro lleno. Recibió el aplauso más largo de toda la muestra."
Diario EL COMERCIO (Ecuador)

“Lo que por sobretodo destaca es la actuación, impecable. Hay un logrado manejo de la voz para representar a los personajes... / El manejo corporal, la expresión, la voz, son de Macario ese personaje que ha logrado construirse frente a nuestros ojos y ha sido capaz de instalar en el escenario la atmósfera rulfiana, de hacernos experimentar ese sopor nocturnal, tristeza de muerte y silencios que hablan."
Genoveva Mora Diario HOY (Ecuador)


DEL 19 AL 29 DE JULIO
DE JUEVES A SÁBADO 20H00
DOMINGO 18H30

CASA "MALAYERBA"
(Plazoleta de "El Belén", diagonal al churo de La Alameda)

INFORMACIÓN Y RESERVACIONES:
2235463 / 098157642 / [email protected]

Entrada general $8
Estudiantes $6
3a. edad y discapacitados $4

JUEVES 2 X 1



TEATRO DE LA VUELTA
Grupo independiente creado en 2002 bajo el nombre de Proyecto "La vuelta al mundo en 80 meses". Durante siete años desarrolló su teatro y pedagogía de forma itinerante por los cinco continentes antes de instalarse en Ecuador. Teatro de la Vuelta ha sido invitado a más de 40 festivales nacionales e internacionales de teatro obteniendo premios y reconocimientos. Ha colaborado con otras compañías en dirección, asistencia de dirección, dramaturgia, puesta en escena e iluminación. También ha participado en cortos y largometrajes.
Su trabajo lo ha desarrollado en: Ecuador, Cuba, Perú, Bolivia, Chile, Argentina, Uruguay, Brasil, Francia, Marruecos, Senegal, España, Colombia, Camboya, Australia, Costa Rica, Suiza e Italia.







--
CASA DE TEATRO MALAYERBA
Sodiro 345 y 6 de Diciembre (junto a la Iglesia del Belén)
Telf: 2235-463
Correo electrónico: [email protected]
Twitter: casamalayerba
Quito - Ecuador

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